白雪卻嫌春色晚，故穿庭樹作飛花。雖然韓愈的《春雪》是用來描寫新春時節的二月，但運用在加國的四月也顯得十分應景。周一的傍晚學校組織了一次燒烤活動，大家都為此興奮不已。叔叔這裏為我們舉辦的戶外活動雖然不在少數，但大家都非常珍惜每一次活動，現在回想起來，當年的每一次燒烤，露營，爬山都成為了童年的最快樂時光，成為了珍貴記憶。而這次燒烤，也成為了一次特別的宴會。靜觀窗外的四月飛雪，吃著叔叔給大家燒的烤串，天氣是冷的，但心是溫暖的。同時，屋外的漫天鵝毛大雪也引起自己的思考。我們總是羨慕別人的成功，嫉妒別人的優秀，但事實上，吃得苦中苦，方為人上人，只有經曆了寒冬般的磨練，刻苦的上進，最終才會結出成功的果實，有時只看到最終的美好結果，卻沒有看到事情背後的艱苦和努力。而現在的我們只有更加認真的對待學習，更加努力的思考，才會在未來迎接屬於我們自己的那份春天。
But Bai Xue thinks that the spring is late, so she wears the trees in the garden to make flying flowers. Although Han Yu's "Spring Snow" is used to describe the February of the Spring Festival, it is also very suitable for the use of April in Canada. The school organized a BBQ on Monday evening and everyone was excited. Although there are many outdoor activities organized by my uncle here for us, everyone cherishes each activity very much. Looking back now, every barbecue, camping and mountain climbing in those years became the happiest time of childhood and became a precious memory. And this barbecue has also become a special banquet. Watching the snow in April outside the window, eating the skewers that my uncle cooked for everyone, the weather is cold, but the heart is warm.
At the same time, the swan-haired snow outside the house also aroused his thinking. We are always envious of the success of others and the excellence of others, but in fact, only after suffering and suffering can be a superior person. Only through hard work and hard work can we finally bear the fruit of success. Sometimes only see the final beautiful results, but do not see the hard work and hard work behind things. And now, only by taking study seriously and thinking harder will we welcome the spring that belongs to us in the future.
要說起古代的奸臣，那麼過於唐朝的李林甫，宋朝的秦檜和蔡京了。當然還有很多其他人，但為什麼提這三人呢，不只是因為他們都做過人盡皆知的壞事，同時這三人還有一個共同身份，那就是書法家。知道這件事讓我想起了以前總是思考一個問題，為什麼有的人字寫得很好，技法很高超，但卻就是不能夠青史留名呢？周五讀了有關宋朝蔡京的文章，心中有了答案。中國人講“字如其人”，一個人的書法展現出的是他的內心，不管這個人的技巧多麼成熟，如果內心陰暗，那麼他的書法中，也必然透露出一種邪惡的氣息。那麼透露著這種信息的書法能被世人所推崇嗎？回看今朝，現在的年輕人學習書法，只要下一番苦工，就能夠寫的和字帖很像，同時也會被普通人誇贊寫得好，但是真正的書法講究內涵，講究天人合一，技巧練習是一方面—“人”，但同時更需要注重書法背後的內涵—“天”，只有天人合一，才能夠體現出真正的書法漢字之美。修道的顏真卿，王羲之，和書法被評為楷書天下第一的和尚智勇，一幅字賣出1400萬天價的弘一法師。他們的字中透露出的那種修煉人所體現的能量，才使他們的書法成為了千古絕唱，後世難追。現在的環境，隨著年齡提高，越來越感受到了自己的不足與當年的無知，明白了現在的自己還差的很遠，想要學好書法還有很長的一段路要走。但同時我也是幸運的，因為我可以練習“人”的基礎，同時又能夠逐漸的對“天”產生意識，我相信在劍橋中學這樣一個美好而特殊的環境中，自己能夠變得越來越好。
When it comes to ancient treacherous officials, there are more than Li Linfu of the Tang Dynasty, Qin Hui and Cai Jing of the Song Dynasty. Of course there are many others, but the reason why these three people are mentioned is not only because they have done bad things that everyone knows, but also because they have a common identity, that is, calligraphers. Knowing this reminded me of a question I always pondered before, why some people's characters are well written and their skills are superb, but they just can't make a name for themselves in history? I read the article about Cai Jing of the Song Dynasty on Friday and got the answer in my heart. Chinese people say "words are like people", and a person's calligraphy shows his heart, no matter how mature his skills are, if his heart is dark, then his calligraphy will inevitably reveal a kind of evil atmosphere. So can calligraphy revealing this kind of information be respected by the world? Looking back at the present, today’s young people learn calligraphy. As long as they put in a lot of hard work, they can write very similar to copybooks. At the same time, they will also be praised by ordinary people for their good writing. Skill practice is one aspect - "people", but at the same time it is necessary to pay attention to the connotation behind calligraphy - "heaven". Only when man and nature are united can the true beauty of calligraphy and Chinese characters be reflected. The monks Yan Zhenqing, Wang Xizhi, and calligraphy were rated as the best monk in the world in regular script, and Master Hongyi, whose calligraphy sold for 14 million yuan. The energy embodied by the cultivators revealed in their calligraphy has made their calligraphy a masterpiece of the ages, which is hard to follow in future generations. In the current environment, as I get older, I feel more and more about my own inadequacies and my ignorance back then. I understand that I am still far from myself now, and that I still have a long way to go to learn calligraphy well. But at the same time, I am also lucky, because I can practice the foundation of "human", and at the same time, I can gradually become aware of "heaven". I believe that in such a beautiful and special environment as Cambridge Middle School, I can become more and more it is good.
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