下周，我們即將迎來中國傳統節日：春節。這是我十六年來第一次沒有在家裏過春節，意外的是，我內心並沒有非常想家的感覺，覺得我們這些同學在一起，在這個大家庭裏過年其實也蠻幸福的。我也很少見的自己一個人能完成了寫春聯的任務，並且比之上一年的春聯也有了長足的進步。春節，代表著我們即將迎來新的一年，新的學習，新的計劃，新的自己。所以我們應當珍惜在辛醜年的最後幾日時光，把這一年學到的知識，懂得的道理，珍貴的回憶等做一個歸納總結，新年新跡象，讓我們用一種期待的心情迎接即將到來的壬寅年。
Next week, we are about to usher in a traditional Chinese festival: the Spring Festival. This is the first time in 16 years that I haven't celebrated the Spring Festival at home. Surprisingly, I don't feel homesick very much in my heart. I think that we, our classmates, are actually quite happy in this big family. It is rare for me to complete the task of writing Spring Festival couplets by myself, and I have also made great progress compared with the Spring Festival couplets of the previous year. The Spring Festival means that we are about to usher in a new year, new learning, new plans, and a new self. Therefore, we should cherish the last few days of the Xin Chou year, and make a summary of the knowledge we have learned this year, the truth we have learned, and the precious memories. The new year has new signs, and let us greet the upcoming with a mood of anticipation. The coming year of Renyin.
春聯，是春節時的一項傳統，早在宋代，大詩人王安石就有“千門萬戶曈曈日，總把新桃換舊符”的佳句傳世，可見春聯在中國有著很悠久的曆史。每次看前一年的春聯，都會發現，自己在去年很滿意或者覺得非常完美的作品其實還是有很多不足的，每年的春聯都能夠有或多或少的進步，所以我覺得春聯對我來說是一種年終測評，自己今年比之去年有哪些進步，那些提高。今年的對聯比之去年來說寫的更穩重了，無論是懸腕還是枕腕都能夠寫的很順，不會有描的現象，所以對於今年的作品還是比較滿意的。但是我需切記不可沾沾自喜，每年都會有進步，所以對於現階段的我來說，書法作品沒有最好，只有更好。還需要更加努力的練習，更加認真的思考，去達到更高的標准。
The Spring Festival couplets are a tradition during the Spring Festival. As early as the Song Dynasty, the great poet Wang Anshi had a good saying that "thousands of households are on the same day, always replacing the new peaches with the old symbols". It can be seen that the Spring Festival couplets have a very long history in China. . Every time I look at the Spring Festival couplets of the previous year, I will find that the works that I was very satisfied with or thought were perfect last year still have many shortcomings. Every year, the Spring Festival couplets can make more or less progress, so I feel that the Spring Festival couplets have come to me. It is a kind of year-end evaluation, what progress has been made this year compared to last year, and those have improved. This year's couplet is more stable than last year's writing. Whether it is a cantilever or a pillow, it can be written very smoothly, and there is no phenomenon of delineation, so I am quite satisfied with this year's work. But I need to remember not to be complacent, there will be progress every year, so for me at this stage, calligraphy works are not the best, only better. It also takes more practice, more serious thinking, and higher standards.
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